I've carolina kitchen decided to review Dace Sparāne second collection of poems "The dream of Anna, Virginia. Didactics. (Hereinafter -" Dream "), but before I set off things, I would like to make some fundamental points. Melgalvs Eve owns aptly comparison:" Books, like people, usually either "love, but a little annoyed with all sorts of funny burst of flair" or "do not like, but with a degree of coercion can find something good. '" [1] It is hard to disagree, but I doubt that it is useless to write the book, which is either not at all do not like. Moreover, there is no question of misunderstanding or attempt to discover the reasons for incomprehensibility - an approach that could careless critics considered too far removed from the text. Melgalvs recognition once again confirms tastes huge role in the criticism. Taste want to be good, it is not expressed in private, so I do not feel guilty a commitment to look at a book that
Dace Sparāne "Einfelds jade and blue wolf" I thoroughly dislike - Dace Sparāne "dream come true". My belief is apparent carolina kitchen from the taste, it does not change even after repeated perusal stock. On the flashy point out is easier than tasteful. The reasoning is not possible, whatever we may seem a work of art. They are all ABCs of truth, carolina kitchen a lot more interesting - although closely related to taste - I feel the presence of the background of our judgments. Each new collection of poems is compared to our favorite carolina kitchen poets accomplishments, it's not fair, but it will not be avoided. The first impression of the "Dream" is a seemingly infallible carolina kitchen - Sparāne want to help us better understand her book. It can be surmised, even without taking into account the number of tare footnotes, enough already carolina kitchen with the preface and afterword. Both texts confused - similar to the first poem, the second - the enigmatic screed: "The dream of annu Virginia is real, as real as life, as the god of dance." (86th paragraph.) By the way, the author believes that there is no esoteric or mystic. In any other case I loose it, treating them as God's life dance is not uncommon, but the "dream" as a didactic nature, leaves the reader free space. Yes, people are gaining in recognition and enjoyment, but also freedom to provide pleasure. If the foreword and afterword goal was to "open the door" to the "dream", then it is more or less reached the court, meeting only tricky part of the plan. Dace Sparāne has created a collection with a symmetrical face and a stable posture - a dream, and in particular didactics crumbling carolina kitchen on top of all the books in length. "Since the first word haunts me the feeling of being close to death and dear man, and I nejaudāju remember his name ..." - it seems these are the words of Anna Virginia lies in the image of origin. Not for nothing annas Virginia word in lower case - it does not point to any specific individual annu Virginia carolina kitchen rather constantly creates and modifies several people, carolina kitchen including the afterword first invoked Anna and Anna Ceriņš (b. Jākobsons). While Anna is like an anchor that keeps the ship (the lyrical "I", the reader and maybe another) existence brāzmainajā sea, but everything is subject to certain changes, "as Anna - visulaik - getting the top and - remain." (57th page.) Does not change the fact that everything is changing allažiņ. However, the "Virginia" suggests carolina kitchen recollect Virginia Woolf and her views on women's rights. This allows you to make guesses, for example, the poem "gender or sex, but WITHOUT EPIHETS" [2] (48th paragraph.), The lyrical "I" is a passionate man piederēšanu, but maybe it's just a bitter joke, a parody carolina kitchen of the current. To the insidious nature of the poem possible points and the title and the footnote reference in the Gospel of Luke, placed beside the gaudy and vile ("enjoy the way you move me and you in me key / enjoy as you scream at me sprinkled"). After all - the author might have realized that her first book, "tissue paper windmill" no shortage of shallow, even sado-masochistic eroticism. "Tissue paper windmill" started its way to Virginia's image. "Gender or sex, but WITHOUT EPIHETS" is just one of many texts that raises awareness about Sparāne poems and footnotes (let's say that they can be separated) compatibility. carolina kitchen The desire to explain the dream that make up the content of the book is clear, even strange that the author carolina kitchen of the explanation we entrust only sporadically. Is it really for some nude poems could add some of their famous philosopher or knowledge? If the author explains the meaning of the "CFR" (73rd paragraph.), Then maybe ought to tell you something more about the "send as unicode" carolina kitchen (p. 51.)? Thank you, of course, the exact
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